Last night was pretty much a perfect New York evening, the kind that makes me happier than I can say with my life as it is right now. And I don’t think there’s a better way to spend the evening of the 4th than at a picnic on the roof of the McKittrick, watching fireworks with friends & fellow drunks.
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Mister mgmuscari and I visited scenic Delaware this weekend for the purpose of attending an Andrew Bird show at the Grand Opera House. It was just lovely, one of the most pleasant shows I’ve seen in a while. Also, Matt ate scrapple.
Since Saturday, I’ve been thinking I should try to explain how incredible the Andrew Bird show was, but I just don’t have the words for it.
So instead I’ll just say how lucky I feel to have seen both the stripped-down preview show at the Bell House before the tour really began, and also the full-blown production of a show that we got at Beacon Theater this weekend. The former had no visual effects at all, no set to speak of, and was even more relaxed and casual than most tiny venue concerts I’ve been to. The latter was a carefully assembled sensory experience, perfect in nearly every detail, with wonderful lighting and sound and a huge music hall crowd.
I’d have a hard time deciding which was better, but I will say that they’re both high on my list of the best concerts I’ve ever attended.
Jonathan Coulton performs Code Monkey at Hodgman’s release party for That Is All.