Hedwig and the Angry Inch on Broadway is set against the backdrop of a stage in a state of destruction and disarray; the faux remains from Hurt Locker: The Musical left up for Hedwig’s ‘one-night-only’ performance.

When you enter the Belasco Theater, Hurt Locker Playbills are scattered around, as if the pervious audience left in a hurry (because the show was supposedly so bad that it closed during intermission on its opening night).

Long story short, this faux Playbill is now my favorite Playbill. If nothing else, read the Director’s Note, or the How Many Have You Seen page, or D’Bree Dazeem’s bio. Literally everything about this Playbill is gold [including the back cover].

Vanity Fair’s 2008 ‘Hitchcock Hollywood Portfolio’

Victoria Privates at my studio. Last shoot of 2012. 

Last night was pretty much a perfect New York evening, the kind that makes me happier than I can say with my life as it is right now. And I don’t think there’s a better way to spend the evening of the 4th than at a picnic on the roof of the McKittrick, watching fireworks with friends & fellow drunks.